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Distinctive or bust: Reflections Holidays CMO flips agencies for in-house rebrand, 100-page magazine, fishing partnerships, uniform overhaul – goes 85:15 brand to performance, predicts 12 month payback

Reflections Holidays CMO, Pete Chapman, has spent between $500k and $1M on an all-encompassing rebrand of the $500m NSW social enterprise and park operator. He’s confident of payback within 12 months and 10x returns in coming years. Why does he think it’ll work? Getting buy-in from its 420 employees first, building brand strategy and creative idea from the inside out, rather than handing the reins to agencies, an eye on distinctiveness, and a commitment to building mental availability over quick performance wins all have something to do with it. Marketing investment, per Chapman, “from here, is going to be 80-85 per cent brand, and 15-20 per cent performance”.

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How Coca-Cola is getting to know millions of consumers – and then personalise marketing to them consistently, globally and through a portfolio brand approach

Coca-Cola has 2 billion interactions with consumers on a daily basis globally, but it didn’t know much about these customers until it started working towards a unified marketing operations approach as part of its pursuit under CMO and EVP, Manolo Arroyo, to be the best marketing team in the world – by a lot. In partnership with Adobe and WPP, the FMCG has so far built out 152m actionable consumer profiles in 129 countries. Across this, it’s applying 2,200 customer segments, with 27 data sources contributing to profile richness. And the good news is it’s paying off commercially, with known customers spending 27 per cent more. During Adobe Summit, Coca-Cola’s global head of marketing technology, Shekhar Gowda, detailed the business challenge and what it’s taken to try and harness 180 creative brand managers and thousands of people globally into one portfolio approach while retaining creativity.

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Edelman Trust Barometer shows Australians alarmed about AI, sceptical of innovation; fear cybersecurity and information wars more than inflation; trust peers and scientists more than CEOs and journos

The 24th edition of the Edelman Trust Barometer shows a 4 percentage point lift in trust sentiment across Australia, bringing us out of negative and into neutral territory. But underneath the topline figure is a bubbling pot of fear and scepticism, particularly with regards to new innovations such as AI and the way they’re being managed by government and business. Existential concerns prompted by technology – specifically cybersecurity and information wars – are also now superseding personal economic fears around inflation. This is despite the fact Australia’s wealth gap is playing a direct role in how we view and embrace innovation. For Edelman Australia CEO, Tom Robinson, increasingly politicised views plus the echo chamber of relying on peers and ‘people like me’ as trusted sources of information over and above government, business leaders, scientists and technical experts, is another worry. The message for brands and businesses? It’s time to reset thinking on business-government partnerships, spokespeople and messaging and turn up the dial on listening and nuance.

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How humour, high production values and 6x Golden Foot champion Yanderas Janderas generated 35 million views – and won hearts, minds, bodies, soles and sales for Archies Footwear

Archies Footwear’s big bet on high quality content pays off as six times Golden Foot champion Yanderas Janderas proves a social media super star, driving higher sales and strong brand engagement. 35 million views later, the brand has achieved an average post-engagement increase of over 30 per cent. It’s a second time collaboration for Archies Footwear head of marketing Ruben Thompson and the team at ODV. They first worked together on a campaign for NZ bathroom products brand Two Dudes.

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Next wave: Everything marketers need to know about the streaming-TV-online video shake-out – audience forecasts, advertising shifts, where next: Ampere Analysis

Marketers and media companies had just about got to grips with audience fragmentation brought about by social media and online video. Now the next big wave is coming fast from global streamers piling into TV’s heartland with ad plays because their subscriber growth has maxed out. They’re targeting the young with localised reality shows, comedy and romantic dramas, and the old with documentaries and crime while taking aim at live TV’s biggest bastion by bidding for sports rights. That hasn’t always worked out for the likes of Amazon, which has pulled back from Premier League rights acquisition in the UK. But it has Disney, Fox Sports and Warner Bros. Discovery worried enough to try to get a combined sports platform off the ground in the US and over regulatory hurdles. Ampere Analysis veteran analyst Guy Bisson thinks similar collaboration from broadcasters locally may be required – and could be good for audiences. Across the piste, Bisson breaks down where audiences are going, how much time they are spending on each channel, and where the money’s headed – with Australia ahead of the global tipping point on streaming versus TV consumption, but not yet in terms of TV-video ad dollar reallocation.For broadcasters, the push by Amazon, Netflix and others into ads kills the old TV versus online video debate and removes the moat around ad-funded quality long form video. “It’s no longer about ‘should I do TV, or should I do online?’ It’s, ‘I can do everything I can do on TV on streaming’, says Bisson. He thinks broadcasters can compete on reach, targeting and content but need to accelerate streaming-first pivots to regain and retain audiences that definitely want free streamed TV versus the new pay TV – and strategically steal what they can.

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