Treasury Wine Estates (TWE) has established a new global premium division named ‘Treasury Collective’ complete with branding and highly experienced leader, Angus Lilley.
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Hiring up, pay packets fatter, commercial growth marketers in hot demand as corporate sentiment turns – Perceptor jobs and salary review shows market gaps opening up
Global reports of mass job cuts from AI are getting more frequent. Trump’s tariffs rattled markets. But closer to home, Perceptor’s new Market Trends & Salary Review shows AI hasn’t yet substantially impacted jobs or job types, nor is the US president’s whim stopping recruitment. Instead, the firm is reporting an improving hiring market as company sentiment climbs back up, and growth and constructive transformation come back into focus and execs meet their targets. It’s now predicting modest 3-4 per cent increases to executive salaries across the board, as well as some strong gains for marketers who can deliver commercial growth as well as key organisational outcomes.
Dentsu taps Evidenza synthetic audiences for media planning
Dentsu has struck a strategic partnership with Evidenza to integrate synthetic audiences into its media planning processes. This collaboration aims to develop a Next Gen planning capability tailored for what is being termed the ‘Algorithmic Era’.
BMW dances with Okto the Octopus to highlight new control unit
BMW has unveiled a new brand campaign titled ‘Meet Okto the Octopus’, featuring a video with a dancing octopus. This campaign serves as a metaphor for BMW’s latest technological advancement, the Heart of Joy central control unit.
Super Cannes 25: Suncorp’s Brand, CX boss Mim Haysom on influencers; Why EY Parthenon says risk and creative works for c-suite and Tassal’s Matt Vince is thinking global
Cannes was heaving with influencers striking deals, but the message from top marketers, academics and consulting firms was consistent: Go back to fundamentals on brand, embed brand at the heart of business, then execute with consistent creative excellence to drive outsized financial returns.Mark Ritson landed that message most emphatically via 10 years worth of Effie data analysed by System1. In short: Do really good work, put enough money behind it, don’t change it; grow more.CEOs like Gap Inc’s Richard Dickson are codifying brand to drive business decision-making – and it’s working. Other business leaders remain unconvinced. Hence EY Parthenon’s Karen Crum putting brand and creative investment on the corporate risk register, just like plant, equipment and supply chains. She’s mapped 20 years worth of Fortune 500 filings that show brands looking beyond negative brand risk and investing to maintain brand relevance and value are “more profitable and stayed in the Fortune 500 longer”. Crum’s new paper unpacks how marketers can help articulate that risk in language that will land with the C-suite.Tassal Chief Commercial Officer Matt Vince – also the firm’s Chief Risk Officer – said it maintains corporate risk registers for both brand and marketing after 20-years as an ASX-listed business prior to acquisition by Canada’s Cooke Inc. Crum’s paper, he says, resonates deeply, while Tassal’s rigour in building brand –doubling marketing ROI on a flat budget – has seen Cooke’s global CEO fly into town: “The opportunity for us is to start leading [marketing] from a global perspective.” Next, he’s mulling how to embed a creative measurement system, as cited at Cannes by the likes of Nestlé as key to enabling creative growth gains and Grand Prix wins. But Vince is also thinking about influencers after meeting Seal at a TikTok event – and says TikTok “has some amazing things coming in their pipeline”.Amid divergence on whether marketing’s fundamentals still apply within a platform-dominated world, Suncorp’s Mim Haysom backed the call to return to basics on distinctive assets – because they resonate in all channels. “We can get obsessed about single channels. But nobody builds brand and marketing plans like that. You look at the whole ecosystem of your brand.”But Haysom acknowledged influencers are having a “profound impact” within that ecosystem. “If brands are thinking that it’s a flash in the pan they’re greatly mistaken.” Which means working through another set of risk management: relinquishing full control of content. Here’s their take-outs and take-homes from Cannes 2025.
Dendy Cinema pays $19,800 penalty for alleged drip-pricing practices
Dendy Cinema has paid a penalty of $19,800 following allegations by the Australian Competition and Consumer Commission (ACCC) of engaging in ‘drip-pricing’ practices. The ACCC claims that Dendy failed to prominently display the total price of movie tickets, including unavoidable booking fees, at the earliest opportunity in the online booking process.
Breaking the ideation bottleneck: Suncorp Bank’s decisioning Blueprint reimagines the campaign brief
At Suncorp Bank, the humble marketing brief could be headed for the corporate archive. In its place? AI-generated strategy, cooked up in real time by business process automation. It’s part of a decentralised decisioning revolution where marketers, legal, and customer experience teams become collaborators, swapping Post-its and PDFs for machine-assisted ideation.
Kathryn Illy departs Destination NSW after four years as CMO
Just weeks after debuting a version 2.0 of Destination NSW’s brand positioning work, its GM of consumer marketing, Kathryn Illy, has hung up her hat and is leaving the NSW promotional bureau after four years in the role.
‘It all starts from product marketing’: $6.2bn Airwallex global CMO says product marketing first, then brand and performance – and the big VCs are buying in
B2B marketers are being told to regear marketing to a hefty brand orientation, but Airwallex VP, global marketing Jon Stona says there’s a third leg to making marketing pay that many forget: Product marketing. As Australia’s next tech darling soars to a US$6.2bn market cap and seals its latest $300m financing round, Stona caught up with Mi3 to share what he believes it takes to build trust and brand as a next-gen, fast-growth financial services scale-up.
Cannes Lions Day 2: Telstra triumphs with Grand Prix in Film Craft, joining Hyundai, Idomed, Clash of Clans and more taking top prize in Design, Entertainment categories
Australia’s Telstra has emerged as a significant winner in Day 2 of the 72nd Cannes Lions International Festival of Creativity, landing a Grand Prix for ‘Better on a Better Network Campaign’ for claymation plus two Gold Lions, a Silver and Bronze in the Film Craft category.